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He believes the mansion is sentient and responsible, in part, for his deteriorating mental health and melancholy. Despite this admission, Usher remains in the mansion and composes art containing the Usher mansion or similar haunted mansions. His mental health deteriorates faster as he begins to hear Madeline's attempts to escape the underground vault she was buried in, and he eventually meets his death out of fear in a manner similar to the House of Usher's cracking and sinking. Roderick and Madeline are twins and the two share an incommunicable connection that critics conclude may be either incestuous or metaphysical,[7] as two individuals in an extra-sensory relationship embodying a single entity. To that end, Roderick's deteriorating condition speeds his own torment and eventual death.
Netflix
The family’s dark, shady past seemingly comes to light as heirs from the dynasty begin dying at the hands of a mysterious woman from Madeline and Roderick’s youth. Carla Gugino, Bruce Greenwood and Rahul Kohli join newcomers (to the Flanaverse) Mary McDonnell and Willa Fitzgerald. “The Fall of the House of Usher” updates the work of Edgar Allan Poe for the era of Big Pharma, turning his most famous tales into a sprawling story of the decline of a wealthy American family. It’s “Succession” meets The Tell-Tale Heart, a story of vengeance, power, betrayal, and bloody parts. Siblings Roderick and Madeline Usher have built a pharmaceutical company into an empire of wealth, privilege and power; however, secrets come to light when the heirs to the Usher dynasty sta...
Film Credits
It is revealed that Roderick's sister, Madeline, is also ill and falls into cataleptic, deathlike trances. Meanwhile, Jill becomes intimate with Rick and tells him she has missed her period. In the meantime, Jill has discovered that the Usher family has practiced twincest for the past five or six generations, right down to Maddy and Rick. All the prior generations had twins, who later became a couple and birthed twins of their own and so on down the line to Maddy and Rick, who were to continue the Usher curse. After the main cast of Mike Flanagan and Trevor Macy’s The Fall of the House of Usher was released on Thursday, Netflix has announced the full lineup of stars that will be joining Mark Hamill, Carla Gugino, Carl Lumbly, and more in the upcoming miniseries. From his arrival, the narrator notes the family's isolationist tendencies, as well as the cryptic and special connection between Madeline and Roderick, the final living members of the Usher family.
The Black Cat
In 1950, a British film version of The Fall of the House of Usher was produced starring Gwen Watford, Kay Tendeter and Irving Steen.
What’s more interesting is to watch how the fallout of their decisions fell on Roderick’s many children, all torn apart by some of Poe’s most memorable creations. English majors will likely know where some of the stories are going just by seeing the episode names. When the young and trendy Prospero Usher (Sauriyan Sapkota) decides to host an exclusive sex-and-drugs party at one of dad’s old factories in an abbey, readers of The Masque of the Red Death will know it’s going to be a gruesome scene. However, Flanagan is smart enough to shift the Poe narratives ever so slightly for a modern audience. His version of The Tell-Tale Heart is a modern gem, and “The Gold-Bug” is reimagined as a new brand for the Usher company.
“Palpable Sigh Of Relief”: Fall Of The House Of Usher Star Breaks Silence On Show’s Infamous Recast - imdb
“Palpable Sigh Of Relief”: Fall Of The House Of Usher Star Breaks Silence On Show’s Infamous Recast.
Posted: Sun, 07 Jan 2024 14:00:48 GMT [source]
In 2002, Ken Russell produced a horror comedy version titles The Fall of the Louse of Usher. A television adaptation was produced by ATV for the ITV network in 1966 for the horror anthology series Mystery and Imagination. In 1956, NBC Matinee Theater on US television broadcast The Fall of the House of Usher starring Marshall Thompson and Tom Tryon for episode 197.
Cast
Flanagan has form with making tributes to some of horror’s most beloved oeuvres. He took on Shirley Jackson in The Haunting of Hill House (which was fabulous), Henry James in The Haunting of Bly Manor (spooky but saccharine) and Christopher Pike in The Midnight Club (meh). Thankfully, Flanagan and Poe’s sensibilities prove a winning pairing, staying on the edge of terror without cascading into jump scares and sentimentality. Guilt permeates every frame of Flanagan’s Poe universe, and buys into not so much the horror as the terror. Compelling Edgar Allan Poe adaptations have been thin on the ground since Roger Corman’s films in the 1960s.
The Fall of the House of Usher’s Verna Is Not What You Think - imdb
The Fall of the House of Usher’s Verna Is Not What You Think.
Posted: Thu, 18 Jan 2024 13:52:49 GMT [source]
Loosely based on various works by 19th-century author Edgar Allan Poe (most prominently the eponymous 1840 short story), the series adapts otherwise unrelated stories and characters by Poe into a single nonlinear narrative set from 1953 to 2023. It recounts both the rise to power of Roderick Usher, the powerful CEO of a corrupt pharmaceutical company and his sister Madeline Usher, the firm's genius COO, and the events leading to the deaths of all six of Roderick’s children. It stars an ensemble cast led by Carla Gugino as a mysterious woman plaguing the Ushers, Bruce Greenwood as an elderly Roderick and Mary McDonnell as an elderly Madeline. This modern take on the Edgar Allan Poe story of the same name transports fans into the world of the Usher family, led by sibling duo Roderick and Madeline. Together, the twins have headed Fortunato Pharmaceuticals, establishing an empire of wealth, privilege and power — but at a cost.
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House of Usher (also known as The Fall of the House of Usher) is a 1960 American gothic horror film directed by Roger Corman and written by Richard Matheson from the 1839 short story "The Fall of the House of Usher" by Edgar Allan Poe. The film was the first of eight Corman/Poe feature films and stars Vincent Price, Myrna Fahey, Mark Damon and Harry Ellerbe. Usher has been reimagined as the head of a massive pharmaceutical company he runs with his twin sister, Madeline (Mary McDonnell).
Admittedly, there was a spectacular segment in an early Treehouse of Horror Simpsons Halloween special, but with The Fall of the House of Usher, Mike Flanagan proves just as adept as Matt Groening or Corman at bringing Poe to the screen. In greed's gilded cage, a morbid tale unfolds,Where death itself in whispered verse grows bold.Let shadows of fright and gore fade from your mind,A vaster tableau in this drama you'll find. Where like puppets dancing to their master's whim,Characters bend to preach, their voices dim.
The narrator also notes that Madeline's body has rosy cheeks, which sometimes happens after death. Over the next week, both Roderick and the narrator find themselves increasingly agitated. Jill Masters (Izabella Miko) has not seen or heard from her ex-lover, Roderick "Rick" Usher (Austin Nichols), or her best friend (Rick's twin), Madeline "Maddy" Usher (Danielle McCarthy), for three years. Her love affair with Rick is rekindled as she learns he suffers from the same malady that robbed his twin sister, Maddy, of her sharp mind before taking her life. His affliction is manifested in a rare nerve condition, which renders him hypersensitive. Under the watchful eye of the caretaker, Nurse Thatcher (Beth Grant), Jill appears to be haunted by Maddy's ghost.
Every episode includes flashbacks to a young Roderick (Zach Gilford), Madeline (Willa Fitzgerald), and Annabel Lee (Katie Parker), Roderick’s first wife. These fill in how the Ushers made their fortune, but they’re kind of a narrative drag. It’s important that Roderick and Madeline are cruel, selfish creatures—less so how they got that way.
When the dragon's death cries are described, a real shriek is heard, again within the house. As he relates the shield falling from off the wall, a hollow metallic reverberation can be heard throughout the house. At first, the narrator ignores the noises, but Roderick becomes increasingly hysterical.
” “No, not before,” he replies in one of the show’s many glimpses of Flanagan’s viciously dark sense of humor. (Poe had one too.) Roderick has been haunted by all his awful children who have shuffled off this mortal coil, and it’s because it feels like the ghosts are finally coming for him that he is ready to confess. He’s having visions of monstrous ghosts, including the recurring specter of Verna (Carla Gugino), a figure that connects most of these tall tales as a sort of vengeful force of karma, the devil come to take what she’s due from a man who profited off the pain of others. Fearing that her body will be exhumed for medical study, Roderick insists that she be entombed for two weeks in the family tomb located in the house before being permanently buried. The narrator helps Roderick put Madeline's body in the tomb, whereupon the narrator realizes that Madeline and Roderick are twins.
A second silent film version, also released in 1928, was directed by James Sibley Watson and Melville Webber. La Chute de la maison Usher is a 1928 silent French horror film directed by Jean Epstein starring Marguerite Gance, Jean Debucourt, and Charles Lamy. Flanagan finishes his Netflix contract on a high, gleefully capturing Poe’s magic, eerie romance and sense of dread. His shows have become the streaming service’s best offerings for spooky season, and it is hard to imagine how that void will be filled. It’s not perfect – the order in which the Poe family meet their fates is a case of diminishing returns, as its most intriguing members are dispatched too quickly.
In the Roger Corman film from 1960, released in the United States as House of Usher, Vincent Price starred as Roderick Usher, Myrna Fahey as Madeline and Mark Damon as Philip Winthrop, Madeline's fiancé. The film was Corman's first in a series of eight films inspired by the works of Edgar Allan Poe. Like Madeline, Roderick is connected to the mansion, the titular House of Usher.
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